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1. #CLIPWRAP VS EDITREADY FOR MAC#
2. #CLIPWRAP VS EDITREADY MAC OS X#
3. #CLIPWRAP VS EDITREADY UPGRADE#
4. #CLIPWRAP VS EDITREADY PRO#

Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Both ClipWrap and EditReady were created mainly to make camera formats that are not (yet) edit friendly more easily acceptable by your editing program. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. Resize, rotate, retime and apply color changing LUTs. Target Apple ProRes, Avid DNxHD/HR, or h.264 output.Simple UI designed to ensure you get the best quality output for your source media. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. EditReady (replaces ClipWrap) can Rewrap or transcode any MXF, MTS (AVCHD), M2T (HDV), MP4, or QuickTime (MOV) file. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to.

No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.

#CLIPWRAP VS EDITREADY FOR MAC#

And now, we're turning it up a notch with EditReady Pro! Download for Mac EditReady 22.4 - Phantom CineRAW, timecode generation, RED anamorphic desqueeze and more. Since 2008, EditReady has had your back when your NLE doesn’t support your camera’s file format.

Postlab Remote collab for Media Composer.

#CLIPWRAP VS EDITREADY PRO#

Postlab for Final Cut Pro and Premiere Pro.MHL Tools Spotlight and Quicklook plugins.Connect Live status updates and push notifications.Canister Archiving to LTO, without hassle.Something Samsung’s own “Movie Converter” app bundled with the NX1 apparently cannot do. It is also able to take the 1080/120fps files and convert them to ProRes. In my quick tests of the new NX1 H.265 transcoding ability to ProRes 422 performance was utterly stunning, almost realtime on my Macbook Pro Retina 15″ late 2013. Fixes an audio issue with some Canon 5D files.

#CLIPWRAP VS EDITREADY MAC OS X#

#CLIPWRAP VS EDITREADY UPGRADE#

(Existing ClipWrap customers can continue to use ClipWrap and receive support, or can upgrade to EditReady for only 29.95). If you haven’t yet bought it EditReady costs $50 and is well worth it. EditReady has all the functionality of ClipWrap and much more, all for the same price Take a look at everything EditReady can do, and download a free trial today. The app uses Intel’s QuickSync Video technology to transcode ProRes so it’s a lot faster than most of the competition.ĮditReady 1.2.1 is now available. This is my favourite transcoding solution, so great to see H.265 support.ĭivergentMedia (GH1 owners may remember them from Clip Wrap for AVCHD) did a superb job on EditReady for Mac users. Popular pro transcoding software EditReady now supports the Samsung NX1.